A view of delft carel fabritius biography

Summary of Carel Fabritius

Though less well known than his Dutch Golden Age contemporaries due to his tragic and untimely death, Fabritius was a bone-fide free spirit working within the Baroque tradition. He left only a small number of portraits and genre paintings - just 13 confirmed artworks - but these reveal him to be an artist of no little historical significance. Indeed, he is considered Rembrandt's most gifted and important student and, having left the great Dutch Master's charge, he went on to become a key figure within the mid-17th century School of Delft; a group known predominantly for its views of the city and its daily life, coupled with quieter, more considered, interior compositions. At Delft, his work typically employed delicate shading with dark figures set against a light background. His interest in the laws (and limits) of perspective and pictorial spatial relations, meanwhile, saw him share an affinity with his fellow Delft artist, Johannes Vermeer.

Accomplishments

• The artist's two greatest masterpieces, The Goldfinch and The Sentry, each display an extraordinary clear light and atmospheric tone which mark an emphatic break with Rembrandt's heavy chiaroscuro model. Of all his surviving works, these two paintings celebrate the artist's willingness

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  Carel Fabritius

  • baptized 27 February, 1622–died 12 October, 1654
  • active in Delft c. 1650–1654

  In his youth, Carel Fabritius worked as a carpenter—his name Fabritius may have been derived from the Latin "faber" from this profession. In the early 1640s, he became an apprentice to the great Rembrandt van Rijn in Amsterdam. By 1650, he was living in Delft, where, in 1652, he joined the Guild of Saint Luke. The art of Vermeer has been connected to that of Fabritius due to stylistic affinities and to a poem by the Delft publisher Arnold Bon^{Arnold Bon, a member of the printers' guild since 1651, served as the official printer for the city council of Delft from around 1660 to about 1690. He resided on the north side of the Markt in a house originally named Montfoort, later known as "Vinder van de Druckkonst" (Inventor of Printing). He is notable for publishing the renowned book Beschryvinge der stadt Delf by Dirck van Bleyswijck, with part I released in 1667 and part II in 1680. Bon was also a minor poet, and in 1652, he published a collection of his own writings, primarily Dutch poems and popular songs, including the Mopsjes,which were light-hearted and mischievous despite his claim that they aimed to discourage lustful love practices.} (before 1634–1691) printed in

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