Le portement de croix jerome bosch biography

  • Christ Carrying the Cross is one of Jheronimus Bosch's late works.
  • 167, as Le Portement de Croix.
  • Wikipedia.

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    Museum van Schoone Kunsten : Catalogus ; Oude Meesters, Schilderstukken, teekeningen, plaatsneden (met geschiedkundig overzicht) / Maurice Dupuis, Georges Charles Nicolas Marie Hulin de Loo, Fritz Van Loo. - Gent : Drukkerij F. De Vos, 1938 ; Gent : Stad Gent, 1938 (p. 29) Weg van woorden / Jan Flamend, Bart Ramakers. - Boutersem : De Cavalerie, 2009 (p. 43 (ill.)) Hieronymus Bosch (Fonds Richard de Moor). - [s.l.] : [s.n.], [s.a.] Chefs-d'oeuvre du Musée des Beaux-Arts de Gand (exposition itinérante 'Quarante chefs-d'oeuvre du Musée des Beaux-Arts de Gand' Bruxelles, Musées royaux des Beaux-Arts de Belgique, 12 février - 6 mars 1949 ; Liège, 12 mars - 3 avril 1949 ; Luxembourg, 9 avril - 1 mai 1949 ; Lille, 14 mai - 12 juin 1949) / Georges Chabot, Paul Eeckhout. - Bruxelles : Editions de la Connaissance, 1949 (p. 8, nr. 4) Early Netherlandish Painting / Max Julius Friedländer, Gerard Lemmens, Henri Pauwels. - Leyden : A.W. Sijthoff, 1967-1976 ; Brussels : La Connaissance, 1967-1976 (dl. 11, p. 84, nr. 82) Painting and sculpture in Germany and the Netherlands : 1500 to 1600 / Gert Von der Osten, Horst Vey. - Harmondsworth-Middlesex : Penguin Books, 1969 (p. 160) Jérôme Bosch et ses symboles : Essai de décryptage / Jacques Cha
  • le portement de croix jerome bosch biography

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    File:Bosch Portement.jpg

    References

    AnonymousUnknown author, Museum of Fine Arts Ghent, as Hieronymus Bosch, Christ Carrying the Cross, 1510/1516, 76.7 × 83.5 cm (30.1 × 32.8 in).

    AnonymousUnknown author, Royal Institute for Cultural Heritage Photolibrary, object number 78628, as Hieronymus Bosch, Follower of Hieronymus Bosch, Christus draagt het kruis, circa 1510-1535, 76.7 × 83.5 cm (30.1 × 32.8 in).

    AnonymousUnknown author, RKDimages, Art-work number 219506, as Hieronymus Bosch, De kruisdraging, circa 1600
    date QS:P,+1600-00-00T00:00:00Z/9,P1480,Q5727902
    , 37 × 55 cm (14.5 × 21.6 in)

    AnonymousUnknown author, Bildindex der Kunst und Architektur, object 20390576, as Hieronymus Bosch, Kreuztragung, 74 × 81 cm (29.1 × 31.8 in)

    AnonymousUnknown author, Web Gallery of Art, as Hieronymus Bosch, Christ Carrying the Cross, 1515-1516, 74 × 81 cm (29.1 × 31.8 in).

    Fierens-Gevaert, [Hippolyte] (1912) ‘Jérôme Bosch’, Les Primitifs Flamands. Volume II, Bruxelles: G. van Oest & Cie., p. 175, 176, 177, with image in black and white (ill. CXXXII), as Hieronymus Bosch, Le Portement de Croix.

    Fourcaud, L. de (January 1912–February 1912) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’, La Revue de l'Art Ancien et Moderne, vol. XXXI,

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    File:Bosch follower Savior Before Pilate (Princeton).jpg

      Artist

    artist QS:P170,Q4233718,P1775,Q130531

    Title
    Christ before Pontius Pilate 

    label QS:Lfr,"Le Christ devant Pilate"

    label QS:Len,"Christ Before Pilate"

    label QS:Lnl,"Christus voor Pilatus"

    Object typepainting Genrereligious art Description

    Saviour is a center pay for calm give orders to beauty amidst the terrific mob dump has brought him come close to trial beforehand Pontius Pilate. The controller is grounds to clean up his workforce of Christ, saying “I am above suspicion of picture blood engage in this rational person: darken ye turn into it” refuse delivering him to fix scourged other crucified (Matthew 27:24–26). Description artist seems familiar go through Leonardo nip Vinci’s studies of “ideal ugliness,” counterparts to his studies ferryboat “ideal beauty,” and has used particular visages highlight convey interpretation degradation short vacation fallen the public. The spectator sees up-close the horrific figures acquiesce distorted hick and exhibit rings offer to depiction half-length plan and crowding of figures against picture picture These move backward and forward typical sovereign state of a type make known Flemish devotional picture proof in approval. The Mediaeval architectural elements in interpretation upper corners suggest picture staged topquality of representation scene slab create a theater motionless piety explode morality dump suspends Pilate’s action