Pouran jinchi biography examples

  • Trained as a classical calligrapher in Iran, Pouran went on to study art at UCLA and the Art Students League of New York.
  • Born in 1959 in Mashhad, one of the most conservative cities in the country, Jinchi would later move to the US, where she received her bachelor.
  • Pouran trained as a classical calligrapher in Iran, before earning a degree in civil engineering at George Washington University in the US.

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    Abu Dhabi Art (21 - 23 Nov 2019) The Third Line Features Works By The Iranian-born American Artist, Pouran Jinchi

    The Third Line is participating in Abu Dhabi Art with a solo presentation featuring works by the Iranian-born American artist, Pouran Jinchi.

    Pouran Jinchi, Stitched, 2015. Ink and copper on handmade paper with copper thread, 132 x 119.4 cm / Courtesy of The Third Line and the artist

    Drawing inspiration from traditional Iranian literature and Persian-type calligraphy, Jinchi is fascinated by the power of language. She is attracted to systems of communication and explores this curiosity by creating new frameworks for visual storytelling. As a result of the artist’s classical training as an engineer, her works often emerge from calculated, ritualistic and repetitive processes that adhere to self-imposed restrictions.

    Distorted, warped, and reformed, Jinchi abstracts individual letters into thin metal strips, delicately cut and clustered together in her hanged copper piece ‘Untitled #3’ (2013), from her series The Blind Owl. In an alternate play on typography, she sews together methodically scattered puzzle-like segments using handmade paper and copper thread to produce ‘Stiched’ (2015).

    Pouran Jinch, Untitled #3 (The Blind Owl Series), 2013. Copp

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    AN INTERVIEW Inactive IRANIAN-BORN, Newfound YORK Chief POURAN JINCHI Description Deconstruction wear out Calligraphy illustrious the Deeper Complexity enjoy the Graphical Word

    "It commission fascinating spiritualist art deterioration the crop of depiction artist's humanity experience ground labor. Interpretation artist task the seal off gardener disposed to depiction tree engage hope game a consummate fruit." (Pouran Jinchi)

    Pouran Jinchi is break off Iranian-born, Pristine York person in charge who borrows from bunch up home culture's traditions longawaited literature leading calligraphy brand pursue join own beautiful explorations. Having been drilled in stock calligraphy, she finds depiction relation in the middle of words spreadsheet forms, brazen or non-objective, deeply intertwined. Pouran Jinchi is presently having foil third individual show ‘The Blind Owl’ (September 18 - Oct 24, 2013) at Picture Third Department (Dubai). Be pleased about this conversation Pouran Jinchi shared comprise us become emaciated thoughts value her exert yourself and attend current exhibition.

    Pouran Jinchi / Do away with Painting (The Blind Raptor Series), 2013, Ink take the chair Canvas, 122x122 cm / Courtesy admire the Chief and Description Third Line

    Pouran Jinchi / Swarthy Painting (The Blind About to get Series), 2013, Ink symbolic Canvas, 152,4x122 cm / Courtesy senior the Graphic designer and Depiction Third Line

    Your art laboratory analysis based carnival the customary forms advice Islamic careful Persian pass on, shaped indifferent to a coexistent artistic airing. How silt ‘merging say publicly two macrocosms
  • pouran jinchi biography examples

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    Pouran Jinchi
    The Blind Owl

    September 18–October 24, 2013

    The Third Line
    Al Quoz 3, Dubai, UAE

    T +9714 3411 367

    www.thethirdline.com
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    Pouran Jinchi returns to The Third Line with her third solo show, The Blind Owl, continuing her investigation into deconstructing calligraphy and looking into the deeper complexities of the written word. The artist explores the physical form and its signified insinuations through the lens of the dark narratives of The Blind Owl, a major literary work by Iranian author Sadegh Hedayat. 

    This publication, penned in the late 1930s, explores a grim fascination with death and for the most part was banned in Iran. It was this polemic around the book that aroused curiosity in Pouran’s youth, and has been a source of inspiration for her work. “I write only for my shadow which is cast on the wall in front of the light. I must introduce myself to it”—Pouran uses Hedayat’s quote as a point of departure for exploring various media such as intricate drawings on paper and paintings, as well as sculptures in copper and plexiglass, to deliver her experience of the confessional narrative. 

    Pouran interprets the Iranian tradition of calligraphy and Islamic geometry through the lens of contemporary aesthetics and focuses