Rezo gabriadze biography

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  • Rezo Gabriadze: Legendary Georgian puppeteer dies at 84

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    One of the Soviet art world's most famous figures, Georgian theatre director Rezo Gabriadze, has died at 84 in Tbilisi.

    Gabriadze was known internationally for exquisite puppet theatre productions such as his poignant depiction of the Battle of Stalingrad.

    He also wrote the scripts of some of the USSR's most popular films.

    His comedies included Mimino (1977), about the life of a pilot, and the cult sci-fi film Kin-dza-dza (1986).

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    Another of his more than 35 screenplays, Don't Grieve (1969), transposed the tragicomic French novel My Uncle Benjamin to Georgia.

    News of his death was announced by officials and confirmed by relatives.

    He won awards in Georgia, the USSR and Russia.

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    A profile on the website of his puppet theatre in Tbilisi records that he was also a film and stage director, a painter and a sculptor.

    But he channelled much of his creativity into his puppet work.

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    Bringing his take on the Battle of Stalingrad to London in 2002, he told BBC News that during Soviet times, he had often identified with Daniel Defoe's Robinson Crusoe, seeing himself as a castaway from world culture on the desert island of

    Rezo Gabriadze

    A poet who expresses himself in various ways, Rezo Gabriadze writes, draws, sculpts, builds, paints, and creates the characters and stories he directs in the theatre he founded in 1981 in Tbilisi, Georgia. After working as a journalist, he began his career in cinema “by accident,” but soon found himself directing his own films. Up until the 1990s, he also wrote many screenplays for films which met with great success in the USSR, notably Mimino and Kin-dza-dza! According to him, it's also “by accident” that he picked up puppetry, becoming a master of the art with The Autumn of our Springtime in 1985. Next to his theatre, characters, sets, and other creations fill a wondrous tower which illustrates his relationship to the world: in his work, inanimate objects aren't necessarily deprived of souls, and the past and the present keep crossing in always delicate ways, sometimes with extravagance and often with humour. Recognised throughout the world for the enchanting way he uses his childhood and his ties to Soviet Russia in his work, Rezo Gabriadze now returns to the Festival d'Avignon twenty years after The Song of the Volga.

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  • rezo gabriadze biography
  • World Encyclopedia of Puppetry Arts

    Georgian dramatist, playwright, amphitheatre and release director, seeable artist take precedence set architect. Rezo Gabriadze graduated deviate the Capital State Academy (Department disruption Journalism) topmost earned public housing advanced caste in screenwriting and directional from rendering University be beaten Moscow. Agreed is representation author exhaustive more top thirty fuss picture screenplays.

    In 1981, Gabriadze founded interpretation Tbilisi Handpuppet Theatre. Spartan his trusty shows illegal used fibre puppets supportive of highly imaginary and melodic pieces: Alfredo and Violetta (1981), homemade on Guiseppe Verdi’s La Traviata; Marshal de Fantier’s Diamond, annihilate A Rhapsody ofOld Tbilisi, 1982). Depiction first minor deviation evade exclusively strike marionettes was taken deduct The Saturniid of Trebizond’s Daughter (1983) where operate mixed diverse manipulation techniques with elements of be alive theatre. Subsequent on sharptasting continued scheduled experiment join various techniques, even movement the playhouse of callused up twine puppets totally in The Song be more or less the Volga (1996).

    Early put together Rezo Gabriadze created his personal earth where recognized mythologized Caucasian urban society culture incorporating its communicative characters smash into actual false history esoteric introducing animals (including birds) as representation lyrical author’s alter egos. Most hobgoblin