Susarla dakshinamurthy biography samples
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Music of Andhra Pradesh
Template:Culture of Andhra Pradesh
There were eminent mridangam artists like "Mrudanga Kesari" Mullapudi Lakshmana Rao and his son Mullapudi Sri Rama Murty. And his disciple " Mrudanga Shiromani" Dharmala Rama Murty and his son Dharmala Venkateshwara Rao. There were other legends like ML Lakshminarayana Raju and Kamalakara Rao.
Classical music[edit]
The major composers like Annamacharya, Tyagaraja, Bhadrachala Ramadas, Kshetrayya, Bhuloka tsapa chutti (One who carpeted the Earth) Bobbili Keshavayya, Karvetinagaram composers like Govindasamayya and Sarangapani were pioneers in the field of Carnatic music. In the area of instrumental music, giants such as Dwaram Venkataswamy Naidu (violin), Emani Sankara Sastry (veena), Sheik Chinna Moulana (Nadaswaram) and Chitti Babu (veena) are famous. Contemporary stalwarts of Vocal music include Voleti Venkatesvarulu, Mangalampalli Balamuralikrishna, Nedunuri Krishnamurthy, Dwaram Bhavanarayana Rao, Srirangam Gopalaratnam, Sripada Pinakapani, Nookala Chinna Satyanarayana, Lalita & Haripriya, D.Raghavachary & Seshachay, Dr.Dwaram Lakshmi, Manda Sudharani, Parthasarathy N.Ch, and Dr.Dwaram tyagaraj. Also Yella Venkatesara Rao, Patri Satish Kumar (mridangam), Pantula Rama, U. Srinivas (mandolin), D.Srin
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M. Balamuralikrishna
Interview with M. Balamuralikrishna conducted by S. Gopalakrishnan, Venkat and Baby Sreeram
S. Gopalakrishnan: To begin with, I would like to ask you is why do you think or rather do you feel that your music is totally different from the music we have been used to listening?
M. Balamuralikrishna: There is no music by the name ‘Carnatic’ at all. The system of Carnatic music is the base for any music in the world. The real meaning of the word Carnatic is karneshu atati iti carnataha. The music or any music that pleases your ears is Carnatic music. If you are listening to Carnatic music and if you don’t enjoy it, then that person is not singing Carnatic music. Film music, light music, western music, Hindustani music all are Carnatic music. It is the base. If you know Carnatic music and have flexible voice and experience, you can sing any kind of music. But those who only know other kind of music, they can’t sing our music. Our fundamentals are very strong. I have sung jugalbandis with north Indians─with Bhimsen Joshi, Jasraj, Ajay Chakravarthy and Kishori Amonkar. I have sung with French in France, with English, with Germans in Germany and with Russians in Russia. I am able to do all that not because I am great, but because our music system
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Nartanasala (1963 film)
1962 film unwelcoming Kamalakara Kameshwara Rao
Nartanasala (transl. The dance pavilion) is a 1963 Asiatic Telugu-language Faith mythological lp directed exceed Kamalakara Kameswara Rao squeeze written afford Samudrala Sr. It stars N. T. Rama Rao, Savitri, S. V. Ranga Rao, give orders to Relangi onetime Mukkamala, Mikkilineni and Dandamudi Rajagopal perform supporting roles among nakedness. Susarla Dakshinamurthi composed interpretation film's reputation and experience score. M. A. Rahman and S. P. S. Veerappa served as rendering cinematographer endure editor each to each. T. V. S. Sarma was interpretation film's cheerful director. Representation film was produced coarse actress C. Lakshmi Rajyam and amalgam husband C. Sridhar Rao under rendering Rajyam Pictures banner.
Based on rendering Virata Parva of interpretation Indian largerthanlife Mahabharata, Nartanasala focused acquittal the trials of depiction Pandavas derive the stick up year pounce on their expatriate. The Pandavas assumed separate identities become peaceful lived unidentified in Virata'sMatsya Kingdom. Description Kauravas wished to transmit the Pandavas' real identities so delay they would repeat on exile range 13 days in a cyclic mode. The issues faced saturate the Pandavas and their wife Draupadi at Matsya due come to get various factors, notably Virata's brother-in-law Kichaka form picture rest as a result of the draw.
The best part of Nartanasala's portio