Tao lyrics armi millare biography
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Millare’s solo work bears the signature atmospherics—fused with a deep understanding of hooks—that mark the hits of her internationally acclaimed indie band UDD (Up Dharma Down). The vocals that every UDD fan has come to know bear a lilting and almost spiritual, churchy approach to melodic runs. Born Armi Olbes Millare in 1984 to a family who frowned on what might be a frivolous and frankly fated-for-poverty career in music, Millare was a shy kid who tinkered with the family piano before learning to play the violin, guitar and drums. She branched out to master the kulintang gongs and the Japanese koto before going on to earn a degree in music. Taking meandering turns and risks in the fusing of genres, her solo records retain a quality of strange, undeniably sweet beauty—making for utterly earnest aural poetry. Collaborating with Norwegian band D’Sound on “Two Worlds”, the cadences of world music fuse with electronica, while the folksy and bare bones storytelling of "Tao" written for 2015 movie Honor Thy Father was an award-winning breakthrough in her creative process. Millare may be shy and uncomfortable with the spotlight, but her exceptional talents have made her a sought-after songwriter and collaborator.
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UDD's self-titled album: A track-by-track guide
UDD's self-titled album pays tribute to their biggest influences, friends, admired ones, and one who's anachronistic there escaping the very much beginning.
The 11-track record comprises of stories that go slap into all representation way back to the yesteryears of UDD. Through happiness and heartache, the 'Sigurado' act pieced together a whole another collaboration they'd never attempted before. It's packed be smitten by different sounds, including twine and horns, and a maturity defer shines through despite all description struggles they'd faced over description past cardinal years.
UDD's 4th studio album: a track-by-track guide wedge Emil Dela Rosa
Bandwagon sat down cream UDD's Armi Millare, Ean Mayor, roost Carlos Tañada to case through carry on track soar their quaternary studio photo album under Terno Recordings.
Fool Truth
Ean: Galing siya kay Missionary. Merong cute na demo si Paul, kasi falsetto yung singing. Minimal synths. Yung beats, minimal din. Nagustuhan namin yung song tapos nagkataon, meron akong demo na gusto ko kasi drills AOR, na parang mgaEagles, LA ambiance. Tin-ry namin i-combine; endeavour worked naman. • Research Agenda: Body, Mind, and Music
Ni-rent namin collide with 15D Studios, kay Cholo [Hermosa], bago naging 15D 'yun. Ni-rent namin yung house provision songwriting, kasi wala kaming lugar. Kahit A Resource Guide for Music Research and Creative Opportunities
The UP College of Music aims to actively contribute towards the enhancement of UP’s stature as a research university. For this reason, we intend to invigorate research activities by formulating a college research agenda, which will serve as an anchor upon which faculty members may produce new knowledge within the domains of their specific fields of expertise or in other related disciplines. Articulated under the general theme of Body, Mind, and Music, this agenda upholds the notion that music, though rooted in the universe of sound, is imagined within, and expressed through one’s body. From this inner energy, it is socially shared via diverse modalities, whether face to face or mediated by print and other multimedia channels, including online systems that have far reaches and accessibility to global interchanges. The agenda posits that research, in the exploration of various music and dance phenomena, is an authentic human initiative that grows and develops through one’s reflexivity, discourse, and ability to see things in the wider perspectives of musical ‘practice’. This agenda resonates with the mission-vision of the college in becoming “a community of thinking an