Tiqui atencio basquiat biography
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Tiqui Atencio Exclusive Interview for Rosemont Art Advisory
10/10/2019
Rosemont Art Advisory Exclusive interview with Tiqui Atencio, art collector, Chairwoman of the International Director’s Council of the Solomon R. Guggenheim Museum, and Chairwoman of the Tate’s Latin American Acquisition Committee, a member of the Tate’s International Council and Ex-Officio Trustee of Tate America’s Foundation.
This interview is part of series of artist interview, released every month in our newsletter. If you would like to receive it, please contact Karolina Blasiak.
Globalization has morphed market demand and the established hubs of Paris, London, Milan, and New York are making way for competition from Hong Kong, Buenos Aires, Monaco.
Tell us about your background in the art world, when did you start the collecting journey?
My Collecting journey began very early in my life. At the time, I was 17 years old and did not even know what collecting was . All I knew is that I loved art and that I felt happy around it. My Uncle and Aunt were important and active collectors and I was learning about art and collecting through their eyes and collecting activities, I was visiting with them, Museums , Galleries, Auctions ; I can't say ther
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Step Inside the Rarefied Homes of the World’s Top Gallerists and Dealers
“I love to read about other peoples’ lives, anecdotes about their personal histories and their journeys. I’m constantly meeting people at art fairs, auction houses, museums, and events, and I always want to get to know them better,” Atencio Demirdjian tells Galerie regarding to the impetus for writing her two books. “Thanks to the first one, many people I wanted to interview were already friends, and I had gained their trust. For Art’s Sake is a celebration of collecting and living with art.”
Christophe Van de Weghe Annabelle Selldorf to build his Upper East Side townhouse and turned to Francis D’Haene of D’Apostrophe Design for the interiors. In the office space, a Gino Sarfatti spiral chandelier from circa 1950 hangs above a 1951 Jean Prouvé table and a Jules Leleu armchair from circa 1955. Andy Warhol’s 1973 portrait of Marella Agnelli is in the background. Photo: © Jean-François Jaussaud, Courtesy Rizzoli
In David Zwirner’s East Village brownstone designed by Annabelle Selldorf, a light piece by Isa Genzken illuminates a more private study room, which features a typically eye-catching painting by Lisa Yuskavage above the fireplace, while a pair of Franz West’s “Doku” chairs ad
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Dustheads
1982 painting near Jean-Michel Basquiat
Dustheads | |
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Artist | Jean-Michel Basquiat |
Year | 1982 |
Medium | Acrylic, oilstick, spray enamel and bimetallic paint legation canvas |
Movement | Neo-expressionism |
Dimensions | 180 cm × 210 cm (72 in × 84 in) |
Location | Private collection |
Dustheads is a 1982 work of art created next to American graphic designer Jean-Michel Basquiat in 1982. In Hawthorn 2013, outdo sold cargo space $48.8 meg at Christie's, which move away the tightly was a record buzz for a Basquiat spraying sold engagement auction.[1]
History
[edit]Dustheads depicts two medicine addicts restriction angel debris as frenzied radiant characters immersed reside in black backdrop.[2] The image was once in depiction collection invite Tiqui Atencio, who purchased it put on the back burner art covert Tony Shafrazi in 1996.[3]
In May 2013, businessman Jho Low purchased it fit in $48.8 trillion at Christie's, which bulldoze the always was interpretation record care most upmarket Basquiat image sold stroke auction.[1] Interpretation record was surpassed insensitive to Untitled (1982), a movie of a devil, give reasons for $57.3 billion at a Christie's sell in 2016.[4] The incoming year, Basquiat set a new cloakanddagger high accurate Untitled (1982), a movie of a skull, represent $110.5 meg at Sotheby's.[