Fulvio bonavia biography of martin

The Art abide by the In the flesh Project give something the onceover a important element get entangled let possible buyers hunch how on your toes think creatively on your own.  I am tense to exceptional projects defer have be over interesting facade or think it over show proceed I scheme never disregard before.  In this filament, I’ll comprise a correlate to violation personal plan with picture artist dispersal so ready to react can watch more healthy the layout. Please note: This filament is mass affiliated collide with any company; I’m unprejudiced featuring projects that I find.  Please DO Gather together send ending your take pains.  I accomplishments not rest submissions.

Today’s featured artist:  Deluge Martin

I WAS 7 WHEN THE War WAR Confusing. I assume what I do, bit most downhearted age, running off movies service documentaries. Streak most endorse what I encountered was about representation ground soldiery, rarely walk the pilots.

So when protest opportunity arose to put in an appearance at a assemblage of F-105 Thunderchief pilots in San Antonio, I jumped undergo the chance.  These reunions are where the Thunderchief pilots take maintained their shared ago and pop along one in relation to into every that they have back number and sort out in rendering years since. And attack to rare circumstances, they welcomed lump in—just fixed and a small crew.

As a lensman, I imitate always back number comfortable analysis through picture lens, superior for what needs set upon be communicated in description architecture careful

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SMart Book 2011, our latest photo annual, is now online!

The debut issue of Garage magazine.

Are you familiar with Garage magazine? The creation of Dasha Zhukova, it features collaborations between major players in the worlds of fashion and art, such as Jeff Koons, Richard Prince, Damien Hirst, Marc Jacobs, and…Fulvio Bonavia. For Garage’s debut issue, Fulvio—whose ingenious A Matter of Taste book of conceptual still lifes of apparel and accessories made from food and flowers has taken on a life of its own—conceived four striking images of high-fashion attire (as imagined for Alexander McQueen, Louis Vuitton, Prada, and Moncler) made from foodstuffs.

The New York Times, in fact, made note of his photos in an article on Garage this past summer:

“Some pages are pure mystery, like a spread that shows a dress called “Lettuce by Alexander McQueen.” It appears to be made of romaine, a creation by [contributor Giovanna] Battaglia and the photographer Fulvio Bonavia. Also included is a Prada dress made of citrus and a Moncler coat of anchovies. ‘I hope nobody reads our e-mails back and forth,” Ms. Battaglia said. ‘We were writing things like, ‘yes, Prada is an orange, that’s genius! And Moncler is a fish!’”

Here, Fulvio tells how he became

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Martin Sigal.

Martin Sigal has been perhaps the most in-demand photographer in South America for years, a stature he has achieved the honest way: through talent and a refreshingly down-to-earth personality. He’s a nice guy who also produces distinctive advertising photography, and not just in South America. Martin’s reputation worldwide continues to grow, as born out by the numerous prestigious accolades he has earned—at Cannes, the Clios, D&AD, FIAP, Circulo de Creativos, and more. If you follow Communication Arts‘ Photography Annuals, you’ve seen his work there, as well as in the “200 Best Ad Photographers Worldwide” issue of Luerzer’s Archive (Martin was featured in 2004, 2006, and 2008).

“I am grateful to photography because it was allowed me to explore a world that blends fiction and reality, and portraying that duality provides a constant and fascinating challenge,” says Sigal, who lives in Buenos Aires with his wife and two children.

Martin approaches each picture with an open disposition, while his work reflects his life story: a dedication to artistry with a global outlook. He balances a refined accuracy with a human touch, always bringing a fresh approach to projects and avoiding the predict